SEARCH RESULTS FOR: Susan Tedeschi
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(Guitar, vocals, b. 1970) Tedeschi was introduced to blues and gospel via her parents’ record collection. While singing in the Berklee College of Music gospel choir, she performed at blues jams around her native Boston and formed her own group. Her international debut, 1998’s Just Won’t Burn, was mostly blues rock with hints of emotionalism; it ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Few would deny that the blues has played a more important role in the history of popular culture than any other musical genre. As well as being a complete art form in itself, it is a direct ancestor to the different types of current popular music we know and love today. Without the blues there would have been no Beatles ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Derek Trucks was born in Jacksonville, Florida in 1979. Trucks bought his first guitar at a yard sale for $5 at age nine and became a child prodigy, playing his first paid performance at age 11. Trucks began playing the guitar using a ‘slide’ bar because it allowed him to play the guitar with his small hands. By his ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Guitar, banjo, mandolin, harmonica, vocals, b. 1948) Colorado’s Otis Taylor is the most inventive blues songwriter to emerge in recent decades. The Chicago native revives the genre’s role as protest music, often telling stories of lynchings, racial injustice and homelessness. His use of archaic Appalachian banjo tunings, droning progressions and digital delay creates ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Although the first generations of electric bluesmen played louder and more flamboyantly than their acoustic forefathers, their music was still traditional in its delivery and structure. The British blues players who emulated them during the 1960s were also fairly traditional in their approach to the genre. Jimi Hendrix opened things up a bit more when he first appeared on the ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

By definition, a contemporary era defies summary. No one living in it has the conclusive perspective to discern the prevailing character of our times, even though we all know what we’re going through, and can hear what we hear. The reductive view is: Americans, after a burst stock-market bubble and terrorist attacks, live in uncertainty, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Janáček referred to this opera’s protagonist, Emilia Marty, as ‘the icy one’. Perhaps he was thinking of Kamila Stösslová, the opera singer in Capek’s comedy who so fascinated Janáček that he immediately requested the rights for a libretto. Capek was sceptical that the elderly composer could understand his play, yet the final result was superlative and Capek had ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Based on a series of eight Hogarth paintings, this opera was first performed on 11 September 1951 at Il Teatro La Fenice in Venice. In The Rake’s Progress, Stravinsky’s neo-classical style maintains a clear delineation of musical numbers separated by recitatives (accompanied by harpsichord), and as such it has often been considered a stylistic companion to the works of ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Although Bakersfield had already played host to a number of country-music artists, it was Buck Owens (1929–2006) who not only put it on the map, but also spread its name around the world. So great was his impact, some even called it ‘Buckersfield’. The Road To Bakersfield Hailing from Sherman, Texas, and born Alvis Edgar Owens ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocal group, 1961–2002) A debut single, 1963’s ‘If You Gotta Make A Fool Of Somebody’, began a two-year British chart run for this Manchester outfit. Moreover, as their fortunes subsided at home, they caught on in North America, scoring a US No. 1 with 20-month-old ‘I’m Telling You Now’, and amassing advance orders of 142,000 ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The most successful female recording artist of all time, Madonna also reigns supreme as top female producer and songwriter. Madonna Louise Ciccone (b. 16 August 1958) spent her formative years in Detroit. After graduating from high school in 1976, she won a dance scholarship to the University of Michigan but dropped out after two years to seek a career ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

1896–1989, American A composer of both originality and substance, Thomson produced what was arguably America’s first major opera, Four Saints in Three Acts (composed 1927–28). Hailing from a Southern Baptist background where church music, marching bands and popular American tunes were a large part of his cultural heritage, Thomson attended Harvard and studied under Nadia Boulanger ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Vocal group, 1977–79) This British punk act featured Poly Styrene (Marion Elliott, vocals), Jak Airport (Jack Stafford, guitar), Paul Dean (bass), Paul ‘B. P.’ Hurding (drums) and Lora Logic (Susan Whitby, saxophone). Poly’s strident voice and pithy songs about consumer culture gave them minor UK hits with ‘The Day The World Turned Day-Glo’, ‘Identity’ and ‘Germ ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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